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  • Home
  • About
  • CV
  • Works
    • 2024 The Crossings
    • 2022 Fireworks
    • 2021 #ROADTRIP
    • 2019 Exquisite Corpse
    • 2011 Land Lines and Love Songs
    • 2009 I Walk The Line
    • 2008 Chaos & Revelry
    • 2007 The Humana Series – Shadow, Relic & Flesh
    • 2006 Vox Humana
    • 2005 The Poet Assassinated
    • 2005 Spiritland
    • 2002 Celeste
    • 1999 Operaworks
    • 1998 Fishworks
    • 1997 Missing … from the Garden
    • 1996 Chrysalis
    • 1995 Mary’s Divine Providence
    • 1993 Tarxien
  • Blog
  • Contact
  • Home
  • About
  • CV
  • Works
    • 2024 The Crossings
    • 2022 Fireworks
    • 2021 #ROADTRIP
    • 2019 Exquisite Corpse
    • 2011 Land Lines and Love Songs
    • 2009 I Walk The Line
    • 2008 Chaos & Revelry
    • 2007 The Humana Series – Shadow, Relic & Flesh
    • 2006 Vox Humana
    • 2005 The Poet Assassinated
    • 2005 Spiritland
    • 2002 Celeste
    • 1999 Operaworks
    • 1998 Fishworks
    • 1997 Missing … from the Garden
    • 1996 Chrysalis
    • 1995 Mary’s Divine Providence
    • 1993 Tarxien
  • Blog
  • Contact
Homeadmin2024-11-15T18:03:28+10:00
Maree Azzopardi2025-05-26T16:02:46+10:00

REVERENCE

Remembering World AIDS Day . My image: Momento mor Remembering World AIDS Day . My image: Momento mori- hand was appeared on front cover of ArtNews NY in Feb 1998. Photographer Maree Azzopardi. Image from the exhibition Missing…. From The Garden 1998 take at St Vincent’s Hospital Sydney - funded by @sydneymardigras . Darren 🙏💔 #worldaidsday #mareeazzopardiphotography #artnewsny #artnews #qtopia
Remembering World AIDS Day. Behold, 1996 from my C Remembering World AIDS Day. Behold, 1996 from my Chrysalis Exhibition. Artist in Residence ward 17 south at St Vincent’s Darlinghurst Sydney funded by @sydneymardigras 🙏 #worldaidsday #mareeazzopardiartist #mareeazzopardiphotography #chrysalisexhibition #chrysalis #behold #ward17south #contemporaryphotography #stvincentshospitalsydney #sydneymardigras #qutopia
The Crossings is open all this weekend from 11-5pm The Crossings is open all this weekend from 11-5pm @rexlivingstonartobjects 🙏🙏🙏 #mareeazzopardiartist #thecrossings #rexlivingstonartobjects #contemporaryart #kunst #australianartist #artcollector #katoomba #bluemountainsaustralia #art #gosfordartprizewinner2024 #worksonpaper #gold #goldleaf
The Crossings exhibition is open today at @rexlivi The Crossings exhibition is open today at @rexlivingstonartobjects in Katoomba from 11-5pm Thurs- Sun (Mon by appointment) The Crossing XI, bushfire charcoal, sumi ink, gold leaf, found objects on cotton rag paper, 56 x 76cm 2024 #mareeazzopardiartist In The Crossings, Azzopardi maps out her world using bold symbolism, spiritual allegory and poetic rendering. Graphic markings can be interpreted as fences dividing fields in a monochrome landscape, with white lines painted on asphalt. Her legible phrases and unreadable scrawl simultaneously provide a message and whisper an incantation. In Azzopardi’s growing series, as well as mirroring the iconography of the Crucifixion, the Cross becomes an intersection, a stop sign, a border crossing and a symbol signifying a place for hope and prayer. Each new work can be seen as an excavation and an obliteration, a territory of masking and revealing. The paint is smeared on, and washed away. With a nod to romanticism, the cross also references the swash-buckling tradition of how “X marks the spot” on a pirate’s map, indicating where the treasure is buried. “ Jonathan Turner #mareeazzopardiartist @mareeazzopardi #mareeazzopardiartist #rexlivingstonartobjects #expressiveart #worksonpaper #thecrossings #kunst #contemporaryart #art #artcollector #australianart #abstractartist #abstractart #howdoesitgetanybetterthanthis #mindfulness #meditation #rexlivingstonartobjects #charcoaldrawing #inkdrawing #mixedmediaart #refugees #migrants #boatpeople #mareeazzopardi #gosfordartprize2024 #plcarmidale #worksonpaperwinner
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